A self-defense murder leads to sinister secrets in an orphanage like no other

Mikhail Red’s latest film, “Lilim,” is more than just a horror flick; it’s a family project that brings together cinematic talent from the Red family. Just like a well-crafted thriller, this film encompasses creative synergy, with Mikhail in the director’s chair, his Palme D’Or winning father Raymond handling the cinematography, and brother Nikolas overseeing the screenplay and editing. Set against the backdrop of Northern Luzon in 1983, during a time steeped in political turmoil, “Lilim” artfully weaves together elements of horror and socio-political commentary.

The narrative kicks off with Issa and her younger brother Tomas fleeing a crime that Issa committed. Their escape leads them to a secluded orphanage where nuns take them in, but all is not well in this new sanctuary. Not only does Tomas find himself bullied by fellow students, but Issa is also relegated to servant status by the sisters. As peculiar rituals unfold within the orphanage walls, it becomes increasingly clear that something sinister lurks beneath the surface.

What sets “Lilim” apart is its masterful storytelling. Mikhail Red carefully builds the tension, transitioning from a tale of crime to psychologically driven horror, and ultimately arriving in slasher territory. The slow burn is skillfully executed, keeping audiences on the edge of their seats as more chilling truths emerge. The film’s portrayal of bullying escalates into a horrifying revelation, showcasing Red’s ability to meld narrative elements seamlessly.

Atmospheric tension permeates every frame. From Issa’s trauma to the deceptive facade of safety presented by the nuns, “Lilim” creates a sense of agony that grips the audience throughout the film. The connection to the myth of Lilith, emphasizing women’s roles in the film’s chilling events, further enhances this gothic vibe. The visual intricacies, expertly captured by Raymond Red, amplify feelings of suffocation, employing a striking contrast of hues that contributes to the film’s unsettling aesthetics.

Performances in “Lilim” shine, particularly Heaven Peralejo as Issa. Her portrayal of a young woman driven to desperate measures is both convincing and captivating. Skywalker David as Tomas brings authenticity to the role of a traumatized youth, while Dwayne James Bialoglovski and Ryza Cenon steal the show with their eerie performances as the bullying antagonist and the malevolent nun, respectively.

Though “Lilim” may not reinvent the horror genre, it undeniably marks another notable entry crafted with care and skill. Mikhail Red’s directorial prowess, combined with the strong performances and striking visuals, make “Lilim” a must-watch for fans of psychological horror. The film, which debuted on March 12, promises to leave audiences with lingering shivers and a newfound appreciation for the chilling narratives that emerge from the Philippines.